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Le r¨¦sume en fran?ais : Mao Dun (é¶Ü£¬4 Juillet 1896- 27 Mars 1981), est un c¨¦l¨¨bre ¨¦crivain et th¨¦oricien du r¨¦alisme chinois moderne. Ses ¨¦crits et ses th¨¦ories litt¨¦raires comportent l¡¯expression de l¡¯exp¨¦rience humaine, le lien entre la litt¨¦rature et l¡¯esth¨¦tique, et les points communs entre la litt¨¦rature et la finance. En fait, l¡¯¨¦criture du r¨¦alisme de Mao Dun est une autre pratique sociale ¨¦troitement li¨¦e ¨¤ la subjectivit¨¦. Son ¨¦crit est un processus de construction, visant ¨¤ trouver le lien entre la connaissance de la r¨¦alit¨¦ et l¡¯esth¨¦tique et les d¨¦sirs humains. En d¡¯autres termes, le r¨¦alisme est plus qu¡¯un r¨¦cit qui se rapporte ¨¤ la r¨¦alit¨¦ et ¨¤ la m¨¦taphore. Comme une autre pratique sociale, il se concentre davantage sur le processus de transformation de la subjectivit¨¦ et de la connaissance. Cela inclut la relation entre la connaissance de soi et la connaissance de la r¨¦alit¨¦, la question universelle dans la construction d¡¯image typique, la question esth¨¦tique dans la litt¨¦rature r¨¦volutionnaire et l¡¯influence du syst¨¨me capitaliste sur la transformation de la subjectivit¨¦ humaine. Ma recherche vise ¨¤ mettre en ¨¦vidence le risque de strat¨¦gie immunitaire pos¨¦ par les m¨¦thodes ontologiques dans la recherche du r¨¦alisme chinois. ? travers les romans de Mao Dun, revenant aux textes et aux th¨¦ories, faire l¡¯¨¦tude du r¨¦alisme chinois revient ¨¤ faire attention ¨¤ l¡¯esth¨¦tique humaine et ¨¤ la relation entre la r¨¦alit¨¦ et la construction de la subjectivit¨¦. Sur cette base, le r¨¦alisme n¡¯est pas un outil d¡¯accomplissement de l¡¯histoire, mais un processus de ? mise en forme ? ¨¦troitement li¨¦ ¨¤ la subjectivit¨¦. Les th¨¦ories et les romans de Mao Dun pr¨¦sentent le syst¨¨me capitaliste et la strat¨¦gie de paralysie et de transformation. Ils sont la fa?on la plus efficace de contrer le syst¨¨me capitaliste et aussi un objet de recherche important qui nous oblige ¨¤ reconsid¨¦rer la litt¨¦rature du r¨¦alisme chinoise d¡¯aujourd¡¯hui.

Le r¨¦sum¨¦ en anglais: Mao Dun (é¶Ü, July 4, 1896 - March 27, 1981), a famous writer and theoretician of modern Chinese realism, whose writings and literary theories include the expression of human experience, the link between literature and aesthetics, and the commonalities between literature and finance. In fact, the writing of Mao Dun's realism is another social practice which closely relates to subjectivity. His writing is a construction process, aimed at finding the link between knowledge of reality and aesthetics and human desires. In other words, realism is more than a narrative that relates to reality and metaphor. As another social practice, it focuses more on the process of transforming subjectivity and knowledge which includes the relationship between self-knowledge and knowledge of reality, the universal question in typical image construction, the aesthetic question in revolutionary literature, and the influence of the capitalist system on the transformation of human subjectivity. This research aims to highlight the risk of immune strategy posed by ontological methods in the search for Chinese realism. Through the novels of Mao Dun, returning to texts and theories, studying Chinese realism means paying attention to human aesthetics and the relationship between reality and the construction of subjectivity. On this basis, realism is not a tool for accomplishing history, but rather a process of "shaping" that closely related to subjectivity. Mao Dun¡¯s theories and novels present the capitalist system and the strategy of paralysis and transformation. They are the most effective way to counter the capitalist system and it is also an important research subject that forces to reconsider the literature of Chinese realism today.

Mots-cl¨¦s : Mao Dun, Le r¨¦alisme, La subjectivit¨¦, La pens¨¦e de l¡¯image, La litt¨¦rature r¨¦volutionnaire, Le capitalisme

Keywords : Mao Dun, Realism, Subjectivity, Thinking in images, Revolutionary Literature, Capitalism

Directeur(trice) de th¨¨se : SOLOMON Jon

Membres du jury :
- M. SOLOMON Jon, Directeur de th¨¨se, Professeur des universit¨¦s, ±«²Ô¾±±¹±ð°ù²õ¾±³Ù¨¦ Jean Moulin Lyon 3,
- Mme C.H. LIU Joyce, Professor, National Chiao Tung »¨¼¾´«Ã½ Taipei,
- M. XU Zhiwei, Professor, Harbin Normal university, Harbin Chine,
- Mme JIN Siyan, Professeure des universit¨¦s, ±«²Ô¾±±¹±ð°ù²õ¾±³Ù¨¦ D¡¯Artois, Arras.

Pr¨¦sident (e) du jury : Siyan JIN